PHOTO - CANOPY 16

Travelling down a dual carriageway, a sign announces that you are entering The National Forest, but you are still on a road, and the landscape hasn’t changed. There are trees either side of you, but this isn’t a forest trail, and yet, you are in the forest. The forest is all around you, stretching out across towns and villages, criss-crossed with roads and rivers. Envisioned in 1990, The National Forest covers an area of over 200 square miles and spans the counties of Derbyshire, Leicestershire and Staffordshire. It is a forest in the medieval sense, not just trees, but a variety of different habitats - pasture, grassland, wooded areas and towns. Factories stand tall as ancient trees, their towers gleaming; mine shafts creep down into the earth like tree roots. And people live and play and work within this forest, a forest that envelops concrete and bricks without taking them over.

All places tell a story. These stories are layered on the land. There is the natural layer - the flora and fauna, geology and climate of a place that all tell part of the story about it. There is also a socio-political layer - the story of who owns a certain place, who lived there, what it might have been used for. On top of these layers is the one created by imagination - people’s ideas about the place, what it means to them, what they want it to be. The National Forest is as much a forest of the imagination as it is a physical one. In an area that had only 6% woodland in 1990, the aim was for one third of the land to eventually be covered by trees. So far, 8.5 million trees have been planted, bringing the figure up to 20%, and the idea of The National Forest has firmly taken root in the minds and lives of those who live within its boundary. This has had a regenerative impact not just on the scarred landscape, but on the communities near-destroyed by the closure of the coal mines and clay quarries, who now have new woodland and leisure spaces, reclaimed from the spoil heaps and open cast mines. There is hope, there is a sense of ownership, and new industries are springing up, bringing people back into the area.

A forest once covered most of this island. We lived within its arboreal sanctuary and it provided all we needed. Even after revolutions in Agriculture and Industry led us out, away from the forest, we still ventured back, used its wood for homes, hunted and foraged there. We cleared swathes of it for pasture, for factories, and it grew smaller, but it stayed with us in our collective memory. So many folk tales, songs and stories are set in the forest. It’s at the heart of so much of our creative output. And Photo-Canopy is a part of that, exploring themes of regeneration, landscape, nature, and the still-urban spaces that exist within this ever-evolving ‘Forest in the Making’.

Emma J. Lannie

A R T I S T S

I N V O L V E D

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DAVID SEVERN

David Severn is a documentary and editorial photographer based in Nottingham, UK. His work is concerned with working class culture and the places associated with it, both historically and today. He is particularly interested in the relationship between people, work and landscape.

David’s photographs have been exhibited nationally and internationally.

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AARON YEANDLE

Aaron Yeandle is a practicing artist and has exhibited nationally and internationally. Aaron has lectured photography in Schools, Colleges and Universities, he has delivered presentations, workshops and master classes on photography and about his own photographic practice.

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MARIE LA STARZA

Marie is a photographer and lecturer based in Burton on Trent. Marie has been taking photographs for 20 years and is currently studying for her MA, focusing on the relationship between image and sound in response to the River Trent.

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EMMA J. LANNIE

Emma is a writer and maker interested in stories, and the many different ways of telling them. Emma creates site-specific experiences and immersive post-digital adventures, taking inspiration from the natural world, science, psychogeography, and history.

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LUKE LA STARZA

Luke La Starza is a lecturer, researcher and contemporary artist based in the Peak District. Luke’s work explores the affect of sound, image and literature, through the theory of emulation, and it sociological impacts on perceiver conceptions of reality.

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CHRIS BEECH

Chris Beech is a photographer based in the Heart of the National Forest. He has worked on varied commissioned work for the National Forest Company over the past 20 years.  His work is both commercial and practice based, focussing on heritage and culture, he has been involved with the Photo~Canopy project from 2011.

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WORKSHOPS

“So far, 8.5 million trees have been planted, bringing the figure up to 20%, and the idea of The National Forest has firmly taken root in the minds and lives of those who live within its boundary.”

— Emma J. Lannie